Friday, 18 September 2009
It's not just a guide, it's more than that: it's a declaration of love for the little outcrops which escaped the notice of most others. It illustrates his secretive, exploratory nature beautifully, and records years of local adventuring.
Tony Barley died in August after a long running battle with heart disease. Reading his obituary in Climber magazine, the author refers to Barley's bid to get on the transplant list. His age and underlying complications made him an unlikely candidate for a transplant. With his life literally hanging in the balance, he presented the doctors with two things to tip the balance in his favour: a series of technical engineering papers and a copy of Wild Bouldering in Yorkshire - with plans for the second edition. It was probably the practical importance of Barley to civil engineering that sealed the deal and a spot on the waiting list, but I like to think that it just might have been the slim, stapled guidebook that swung the needle in his favour.
Volume II will probably never be made, but despite this, with the first volume he left the Yorkshire climber with an inspiring guide to what the grit holds in the wooded valleys and remote moors, far from the exoteric.
I never met Tony Barley, but I wish I had.
Saturday, 5 September 2009
I’d seen the glen from the summits of the famous Glen Coe peaks, seen the pewter glint of wintry sun reflecting off the loch that curls lazily to the sea. I’d seen it and I thought it was just another valley, just another gap between hills to climb: usual trees, usual loch, usual river. But it isn’t. Along the valley floor, the muted tweed greens are picked out with the vibrant stinging pink of invading rhododendrons. From this angle, the usually iconic Buchaille is a defiantly lumpy mountain, not the shapely rock as seen from the north. And yet, it’s still rather beautiful, still an appealing target. You feel you are seeing the hidden side of the mountain. You are seeing something special beyond the calendar shots.
The road winds along, unfurling the glen in its oil painting beauty, and there, at what feels like it should be the head of the valley, but is really the sea, starts the loch. On the right, up on the hillside, are the Etive slabs - a sliding stack of granite offering routes of the highest quality with the barest mention of polish or wear and tear. To look back up the valley from the top of the slabs you are blessed with one of the best views in Scotland.
It was a stuffy, warm day when we climbed there at the start of June and we finished with a skinny dip in the Loch to wash off the grease of the day.